Bergman wrote Persona with Ullmann and Andersson in mind for the lead roles and the idea of exploring their identities, and shot the film in Stockholm and Fårö in 1965. "1999 Toronto International Film Festival Daily Update #1: 'And They're Off... "Sight & Sound 2002 Directors' Greatest Films poll", "Bergman väljer sina svenska favoritfilmer", "The 100 Best Films of World Cinema – 71. [155] Leonard Maltin gave the film 3.mw-parser-output .sr-only{border:0;clip:rect(0,0,0,0);height:1px;margin:-1px;overflow:hidden;padding:0;position:absolute;width:1px;white-space:nowrap} 1⁄2 stars in his 2013 Movie Guide, calling it "haunting, poetic, for discerning viewers". Singer wrote that Bergman expanded on Stevenson's exploration of duality, the "good and evil, light and dark aspects of our nature", depicting it as "oneness" in the shot. [106] The Independent journalist Christopher Hooton said that symmetry was used and the fourth wall sometimes broken, quoting essayist Steven Benedict on the use of "reflections, splitting the screen, and shadows". Anything you want to say to the audience? Persona: Tsumi to Batsu 4. [80] According to Wood, Bergman did not focus on Greek tragedy in his work but the character of Electra inspired the idea of the Electra complex. [71] Coates noted the "female face" or "near-Goddess" succeeding the God previously studied by Bergman, referring to Jungian theories to examine the themes of duality and identity; two different people, with a "grounding in one self", trade identities. Jul 10, 2019 - See more 'Megami Tensei - Persona' images on Know Your Meme! Involved". Kirk's version was screened at the Film Forum in New York City and the Los Angeles County Museum of Art in 2001. Crowther wrote that its "interpretation is tough", and "Miss Ullmann and Miss Andersson just about carry the film—and exquisitely, too". 4 out of 5 stars (9) $ 36.30. One night, Alma hears a man outside calling for Elisabet; it is Elisabet's husband. It received positive reviews, with Swedish media coining the word Person(a)kult to describe its enthusiastic admirers. While most fans were introduced to the series through Persona 3, there are a wealth of amazing songs in the first two games that deserve the same love and recognition as the music of the later games. Everything is there". Elisabet is a stage actress who has suddenly stopped speaking and moving, which the doctors have determined is the result of willpower rather than physical or mental illness. 5 … [42] A stage adaptation, Hugo Hansén's Persona, played in Stockholm in 2011 and starred Sofia Ledarp and Frida Westerdah. [166] In 2018 the film ranked sixth on the BBC's list of the 100 greatest foreign-language films, as voted on by 209 film critics from 43 countries. [6] With its thematic similarities, the film's "mysterious dreamlike quality" is evidence of Bergman's (and particularly Persona's) influence. [1] Woody Allen's films Love and Death (1975) and Stardust Memories (1980) contain brief references to the film. [107], The BFI called Persona "stylistically radical", noting its use of close-ups. [1] Ullmann described the initial Stockholm shoot as marred by awkward performances and unprepared direction; the crew opted to retreat to Fårö, where Bergman found a house to shoot in. Persona 4 Arena 8. Retro games can be played on the protagonist 's TV and game console in their attic. [58] Gervais also quoted philosopher Friedrich Nietzsche as a guide to understanding Persona: "Belief in the absolute immorality of Nature, in lack of purpose, and in meaninglessness, is the affect psychologically necessary once belief in God and an essentially moral order is no longer supportable". press. Good advice, I'll get back to you next time where we discuss the last two members of the party, the setting, the enemies and the annoyance that is the EXP system. HowLongToBeat has the answer. By depicting this tension as experienced primarily by women, Bergman may be said to "problematize the position of woman as other"; the role society assigns women is "essentially foreign to their subjecthood". [91] According to Jeremi Szaniawski, Bergman's use of homoeroticism (gay and lesbian) in Persona, Hour of the Wolf, Cries and Whispers and Face to Face was a rebellion against his strict upbringing by Church of Sweden minister Erik Bergman. [72], Persona's title reflects the Latin word for "mask" and Carl Jung's theory of persona, an external identity separate from the soul ("alma"). The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking. [160] In 2010, it was ranked 71st in Empire magazine's "100 Best Films of World Cinema". [60][61] Critic John Simon commented, "This duality can be embodied in two persons, as it is here, but it has a distinct relevance to the contradictory aspects of a single person". Hidehiko Uesugi talks all of his friends into playing a game called \"Persona\", which is played much like the ritual game \"Bloody Mary\". Combined with the institute's earlier production grant, the project received 1,020,000 kr from the SFI. [131] Persona was released in the United Kingdom in 1967, using subtitles when many foreign-language films were still dubbed. [164] The film has an 90% approval rating at Rotten Tomatoes, based on 49 reviews. [3] Distributed by United Artists, it debuted at the New York Film Festival with UA marketing highlighting the leads' similar appearance. [157] Chicago Reader critic Dave Kehr wrote that it might be Bergman's best, but objected to its unoriginal ideas (for an experimental film) and tediousness. [118] Orr wrote that the "island romanticism" was a transition from Bergman's earlier films into "dream and abstraction". Okie dokie then. I find that rather an odd reaction". [109], Music and other sounds also define Bergman's style. [99] As Elisabet studies Alma, Bergman studies them both. [n 4] Later in the production, this was replaced by the blood-drinking scene, Elisabet being taught to say the word "nothing" and Alma leaving the island. Fant assumed that the film would be inexpensive, and agreed to fund it. [136] Much of the censored material was included in Region 1 in the MGM DVD released in 2004,[137] and on The Criterion Collection's 2014 Blu-ray 2K restoration. Alma drives to town to mail their letters, and notices that Elisabet's is not sealed. [62] If they are one person, the questions exist of whether Alma is fantasizing about the actress she admires, Elisabet is examining her psyche, or the boy is trying to understand his mother. He could be this universe's Kamen Rider Blade judging by that shirt. 1/4. [150] Ebert added it to his Great Movies list in 2001, calling it "a film we return to over the years, for the beauty of its images and because we hope to understand its mysteries". The film's exploration of duality, insanity and personal identity has been interpreted as reflecting the Jungian theory of persona and dealing with issues related to filmmaking, vampire mythology, lesbianism, motherhood, abortion and other subjects. [n 6] According to Professor John Orr, an island setting offered "boldness and fluidity" that brought different dynamics to the drama. [n 2]. [71] According to the British Film Institute, Elisabet "vampiristically" devours Alma's personality;[103] the actress is also seen drinking blood from Alma. [45] Ullmann described her response shots as an unprepared, natural reaction to the story's erotic nature. Regretting her decision, Elisabet attempted a failed self-induced abortion and gave birth to a boy whom she despises, but her son craves her love. [37] Bergman was the uncredited narrator. It is the first entry in the Persona series, itself a subseries of the Megami Tensei franchise, and the first role-playing entry in the series to be released in the west. 304711095 reg. [151] For The Chicago Tribune, Michael Wilmington awarded it four stars in 2006 and praised it as "one of the screen's supreme works and perhaps Ingmar Bergman's finest film". Special Thanks to: JohneAwesome for the Persona 4 footage. Although Alma initially believes that artists "created out of compassion, out of a need to help", she sees Elisabet laugh at performances on a radio program and finds herself the subject of the actress's study. [19], Bergman wrote Persona in nine weeks while recovering from pneumonia,[23] and much of his work was done in the Sophiahemmet hospital. [79], Another possible reference to psychology is that when Elisabet falls mute, the play she is in is Electra by Sophocles or Euripides. She delivers monologues, and Ullmann is a "naturalistic mime". [141] In one of his early reviews,[142] Roger Ebert gave the film four stars; he called it "a difficult, frustrating film", and said that it (and Elisabet) "stubbornly refuse to be conventional and to respond as we expect". Persona 4 The Animation / Golden Animation 7. [100], Michaels wrote that Bergman and Elisabet share a dilemma: they cannot respond authentically to "large catastrophes", such as the Holocaust or the Vietnam War. Persona -trinity soul- 6. adresas: Kalvarijų g. 125, LT-08221 Vilnius [128], It opened in the U.S. on 6 March 1967,[1] where it grossed $250,000. [4] The fourth wall seems to break when Alma and Elisabet look into the camera and when Elisabet takes photographs in the direction of the camera. [74] An interviewer asked Bergman about the Jungian connotations of the film's title, acknowledging an alternative interpretation that it references persona masks worn by actors in ancient drama, but saying that Jung's concept "admirably" matched the film. [6] In 2016, The Independent reported on a video essay about Persona's influence that compared shots in Don't Look Now (1973), Apocalypse Now (1979) and The Silence of the Lambs (1991); some shots predated Persona, and appear in Alfred Hitchcock's Vertigo (1958) and Psycho (1960). [80], The story fits Bergman's motif of "warring women", seen earlier in The Silence and later in Cries and Whispers and Autumn Sonata. [95] Scholar Egil Törnqvist noted that when Elisabet is onstage as Electra, she looks away from the theatre audience and breaks the fourth wall by looking at the camera.